Frame Press
Frame Press right now on Cindy”s
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220 Ton AIDA Gap Frame Double Crank Press (22462) $119,500.00 |
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Item 3175 – Hydraulic Press: Custom 75 x 140 Window Frame $100,000.00 |
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250 Ton Pacific Pressformer OBS Gap Frame Hydraulic Press Metalworking Equipment $74,500.00 |
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B26847 KRUPP PEDI-250 GAP FRAME PRESS $70,000.00 |
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B26848 KRUPP PEDI-250 GAP FRAME PRESS $70,000.00 |
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B26849 KRUPP PEDI-250 GAP FRAME PRESS $70,000.00 |
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B26850 KRUPP PEDI-250 GAP FRAME PRESS $70,000.00 |
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B26851 KRUPP PEDI-250 GAP FRAME PRESS $70,000.00 |
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165 TON AIDA MODEL NC1-150 SINGLE CRANK DESIGN GAP FRAME PRESS $68,370.00 |
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B29964 AIDA NC1-150 (2) GAP FRAME PRESS $64,500.00 |
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Seyi 176 Ton Mark 176-W Gap Frame Press $64,500.00 |
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Pacific PF250 250 Ton Gap Frame Press $64,500.00 |
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176 Ton Seyi Sutherland Open Back Gap Frame USED Press $59,500.00 |
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Komatsu Model OBS-60S-VS-3 60 Ton Gap Frame OBI Punch Press New (2002) $59,500.00 |
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200 Ton Aida Single Point Gap Frame Press Model: PC-20 (11) S/N: 10120-0033 $57,500.00 |
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250 Ton Lien Chieh Hydraulic Gap Frame Press Machinery $52,500.00 |
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B30118 AIDA NC2-110(1) DOUBLE CRANK GAP FRAME PRESS $52,500.00 |
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300 TON HTC C-FRAME HYDRAULIC PRESS MODEL CFP $49,500.00 |
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BRAND NEW 350 TON PRESSMASTER HYDRAULIC H-FRAME PRESS $49,500.00 |
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OR-Tec Mk-II 500 Belt Filter Press PLC Automated Control Panel & Stainless Frame $45,900.00 |
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75 Ton Minster Open Gap Frame Press Model: 7 S/N:7-SS-FB-27516 Year: 1992 $39,500.00 |
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75 Ton Minster Open Back Gap Frame Press Stamping Used $39,500.00 |
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250 TON PACIFIC PRESSFORMER HIGH SPEED HYDRAULIC GAP FRAME PRESS VERY NICE 1983 $39,500.00 |
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75 Ton Minster Open Gap Frame Press Model: 7 S/N:7-SS-FB-27516 Year: 1992 $39,500.00 |
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75 Ton Minster Open Gap Frame Press Model: 7 S/N: 7-SS-FB-27955 Year: 1992 $39,500.00 |
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100 Ton 12″ Strk Pressmaster GSP-100T 4872 H-FRAME HYDRAULIC PRESS, Gantry Style $38,000.00 |
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NIAGARA S2-G-200 GAP FRAME PRESS 200 TON $37,999.00 |
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CLEARING SG2-200-54 GAP FRAME PRESS 200 TON $37,999.00 |
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165 Ton Aida Open Back Gap Frame Press Used Machinery $37,500.00 |
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165 Ton AIDA Open Back Gap Frame Press $37,500.00 |
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75 Ton Bliss Double Crank Gap Frame Press Model: C2-75 S/N: H71309 Year: 1997 $34,500.00 |
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75 Ton Bliss Double Crank Gap Frame Press Model: C2-75 S/N: H71310 Year: 1997 $34,500.00 |
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75 Ton Bliss Double Crank Gap Frame Press Manufacturing $34,500.00 |
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75 TON CINCINNATI 75OBS GAP FRAME HYDRAULIC PRESS-1999 $34,500.00 |
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#SLS1F54 DAKE Amesbury 80 Ton C Frame Hydraulic Press 4′ x 8′ Table 100SO $33,000.00 |
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B29166 MINSTER 7SS GAP FRAME PRESS $29,500.00 |
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B29167 MINSTER 7SS GAP FRAME PRESS $29,500.00 |
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150 Pacific Model 150PF II Pressformer Hydraulic C- Frame Press, S/N 8068 $29,500.00 |
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250 Ton 16″ Strk Pressmaster 250T-E/H H-FRAME HYDRAULIC PRESS, Electric Over Hyd $27,500.00 |
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50 Ton GREENERD C-Frame Hydraulic Press 40″ Stroke $27,500.00 |
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8995 PACIFIC Model 150PF-II 150 Ton C-Frame Press $27,500.00 |
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B26837 LAUFFER EPT100 HYDRAULIC GAP FRAME PRESS $26,500.00 |
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220 Ton H-Frame Hydraulic Press 22.5″stroke, 45″x66″ window, 4KW power unit $24,995.00 |
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88 Ton KOMATSU OBS-80 Gap Frame Press, 1984 $24,500.00 |
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75 Ton VERSON Double Crank Gap Frame Press $24,500.00 |
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Spam Musubi Sushi Rice Press #K5SPS $3.65 Clear sushi mold that will help you make sushi rolls the foolproof way! This is also known as a spam sushi mold, or a spam musubi mold for thoes people who love the seasoned spam on sushi rice! Simple directions are included. This two piece sushi mold measures 2 by 2 by 4 inches and is dishwasher safe!… |
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HIC Ravioli Form $13.95 This Aluminum Ravioli Form will be your way to enjoy fresh, homemade ravioli any time. The deep pockets will be great for stuffing with any meats and cheeses you choose. To use the form you simply place a sheet of dough over the metal base, press down gently with plastic mold, fill with your favorite filling, and cover with an additional layer of dough. You can make up to 12 ravioli at a time, eac… |
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Bodum Chambord 4 cup French Press Coffee Maker, 17 oz, Chrome … |
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Crash Love (Deluxe Edition with Bonus Tracks and Exclusive Video Content) $8.99 Deluxe edition includes four bonus tracks and exclusive video content! Video includes footage of the band on tour and behind the scenes. This content will be updated frequently. Crash Love, AFI’s eighth full length studio album, due out September 29, 2009 on DGC/Interscope, is indeed informed not only by the ever-evolving chemistry between the musicians in the band but also by the members’ persona… |
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Kreg R3 Jr. Pocket Hole Jig System $39.83 The Kreg Jig Jr. (R3) is an amazing repair jig and an exceptionally handy addition to any tool collection. Whether you’re crawling under a table to make a quick repair or taking Kreg Joinery on the road, the Jr.’s compact design lets you work where you need to most, and it gives you what you need to start building wood joints that will last the life of your creation..caption {font-family: Verdana,… |
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Milescraft 1213 Complete Door Mortising Kit $29.95 Increase security and privacy in your home by replacing interior and exterior doors without damaging the jamb or door frame with the Entry and Interior Door Mortise Kits from Milescraft.Each kit features an easy to use drop-in template design. Sturdy steel frame adjusts from 1-3/8″ to 1-3/4″ doors and jambs. Centered tabs on each template ensure complete accuracy Includes a durable carbide tipped … |
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Blum 110 Degrees Knock In Self Closing Compact 33 Hinge $1.59 Blum Compact 33 Series concealed hinge with dowels for knock-in application… |
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Sweet Smell of Success $5.85 A classic of the late 1950s, this film looks at the string-pulling behind-the-scenes action between desperate press agent Sidney Falco (Tony Curtis) and the ultimate power broker in that long-ago show-biz Manhattan: gossip columnist J.J. Hunsecker (Burt Lancaster). Written by Ernest Lehman and Clifford Odets (who based the Hunsecker character on the similarly brutal and power-mad Walter Winchell),… |
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Framing Roofs $17.65 In Framing Roofs, Larry Haun and his brother Joe build the roof of a basic 1,600 square foot house. Starting from the top of the walls, they take you step-by-step through the entire process, showing you practical ways to organize tasks, streamline procedures, and handle the right tools and materials efficiently…. |
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Resolution $1.99 … |
Frame gilding as done at Lowy
Lowy specializes in art conservation, work on historical reproduction and contemporary frames, giltwood and antique frame restoration, as well as conservation of antique and period frames. Their skilled conservators, carvers and gilders, show the same passion, dedication and uncompromising standards as their forbearers, who started the company over 100 years ago. Their client roster includes renowned museums, fine art galleries and art auction houses such as Christie’s and Sotheby’s. They are also frequently called upon to care for prestigious private collections including those of David Rockefeller, Ralph Lauren, Richard Manoogian and Mrs Randolph Hearst. As described at lowyonline.com they also collaborate with top architects and interior designers on elements such as cornices, mantle pieces, picture frames and framed mirrors. Over the years they have served artists such as Salvador Dali, Alfonso Ossorio, Arbit Blatas, Leon Kroll, George L. K. Morris and Paul Jenkins. They have also worked with the estates of Maurice Prendergast, William Glackens, George Bellows, John Sloan and Max Weber.
Their conservation department has successfully conserved paintings by a wide array of artists including El Greco, John Singer Sargent, Claude Monet, Auguste Renoir, Albert Bierstadt, Franz Kline and Ad Reinhardt, to name a few. They have also reframed many pieces including Paul Cezanne’s The Bather, Vincent van Gogh’s Portrait of Joseph Roulin and three large paintings by Giovanni Battista Tiepolo for The Metropolitan Museum of Art.
A Brief History of Gilding:
The gilding, or metal leafing process, dates back to 2300 BC. This is when artisans discovered a way to hammer gold into fine sheets and adhere them to objects. Images of goldsmiths making gold leaves appear in Egyptian paintings, and metal leafing appears in Phoenician and Early Chinese artwork. Metal leafing appears constantly throughout art history, including Byzantine icons and mosaics. It was also a staple of Medieval illuminated manuscripts, and as a widely popular finish for Baroque period sculpture, frames and furniture.
Historically the gold or silver would have been placed between sheets of parchment, and pounded with wooden mallets until it was thin and malleable. The sheets were then cut down and placed between sheets of paper for their protection. Today’s technology allows the production of micro-thin sheets from a number of metals and alloys. These can easily take the shape of the item being gilded such as sculptures, frames, jewelry and mixed mediaartworks. Metal leafing comes in many varieties including gold, silver copper, as well as variegated or irregular color patterns of greens, reds and blues. It can be made from genuine gold, genuine silver or a composite of metals created to have the look of gold.
How long does it takes to work on a piece. How many pieces do you work on at any given time and what do you specialize in doing there?
When I was first hired, I remember the Director telling me to leave everything I learned behind, and that I was about to upgrade. It has been such a wonderful and creative experience, getting to finish some of the most extraordinary frames. It’s very hard to say how many I do in a week, but when it’s busy it can be up to 50 to 100 frames, depending on the project. In most cases we will have a very large to frame to work on, and it will take a team to work on each step for completion. Since starting there I have been promoted to Traffic and Production Manager. That means I’m responsible for what comes in and making sure it leaves in good shape, back to the client. So, on a day to day basis it can be very hectic coordinating pickups and deliveries to and from some of the major museums, auction houses, and galleries here in New York and around the world.
My career got started in Atlanta, and while I was in school I got hired by a frame shop. I had no experience but watched and learned from the other gilders working there. You need a great deal of patience, as the sheets are extremely thin. If you are too rough with the sheet it would disintegrate in your hands. It’s a very thin layer of gold and you are putting it on the frame. Any mistake can result in having to do it all over again. It’s really a form of meditation in a way, while you are doing it. You need a lot of concentration. It has influenced my other work in wanting to achieve a great deal of patience and concentration. That is how I approach my work now, by using that same philosophy. You can see the results in some of my work so far. This is the first stage of what I have done so far. I can push it even further than what I have. Being in New York allows me to push my work, and I can do some complex pieces of art. It’s all very exciting. I use imitation gold and metal leaf, as it’s a lot thicker and easier to use, although the processes are different between the two. With gold leaf you put water on the clay and then the gold leaf on top of it. With metal leaf you put varnish on first, like a paste, and then it sticks with the metal leaf. Depending on the size of the frame it could take a group of people two weeks to complete, but sometimes we do 100 in a week.
Gilding has been around for such a long time, it even dates back to the Egyptian period. A lot of them used it with primitive tools. They used a tiger’s tooth to furnish gold, or press it into the object. The harder you press onto gold, the brighter it gets. They would use stones to press or smash the gold into the clay. All of their artifacts have been gilded, from decorative pieces as well as with frames. These days it’s very rare for artists to use it. I consider it unique that I use it. It’s a specialized skill. Very few artists will use it in their work.
About the Author
http://www.examiner.com/city-guide-in-newark/susan-velasquez
What does it mean to “frame” a follow-up story in Journalism?
In class, we are reading “Telling the story (Missouri press), and included is a story of how Missesota is trying to lower the college textbook prices.
The question at the end of this is: How would you frame a follow-up story to make the story relevant to your readers?
*What does that mean?
Framing means finding context. Framing a follow up story for the above item, you might do a story about the expenses faced by a student in Missouri, how expensive the school is, the cost of dorming, whatever, and then see how much is left for the average student to buy the books. This puts the initial story in perspective.
Curious, are you studying on a college or high school level?
Baileigh HSP-16 Hydraulic 16 ton H Frame Press Shop Presses